SACD, Palestrina (composer)
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Niquet appropriately creates a liturgical framework, weaving plainchant, motets and instrumental items around the main work; these also serve to contrast with and complement the sometimes gluttonously... —
Awards:
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Presto Editor's Choice, June 2018
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Gramophone Magazine, August 2018, Editor's Choice
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Diapason d’Or, July/August 2018, Nouveauté
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Roma æterna
Two Roman masses
Tim Keeler (countertenor), Andrew Fuchs (tenor) & Jonathan Woody (bass-baritone)
New York Polyphony
The all-male, one-to-a-part treatment adopted here is rare, not to say unique…New York Polyphony’s approach is almost intimate, its details articulated from within…the blend and unanimity of... —
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Special offer. Hear My Words: Choral Classics from St John’s
Timothy Ravalde (organ), Timothy Ravalde (organ) & Helen Scarbrough (cor anglais), Timothy Ravalde (organ) & Graham Walker (cello)
Choir of St John’s College, Andrew Nethsingha
the poised, sentient performance of Allegri's famous Miserere opening the disc bespeaks dedicated preparation, both technical and spiritual. I like the spatial variegations drawn by [Andrew... —
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Passaggi da Napoli a Venetia
Thomas Dunford (archlute), Philippe Grisvard (organ), Philippe Grisvard (harpsichord), Jean Tubéry (cornetto)
Ensemble La Fenice
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This vivid act of reclamation has so much to teach, and to enjoy. It shows that Stokowski's arrangements were made not only with love but acuity; that their flair and poetry may survive beyond... —
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