SACD, Byrd (composer)
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Spem is literally a surround-sound piece, so this recording, the first to use the latest technology in new audio formats, gets closer than most. The Sixteen (enlarged to the requisite 40) have... —
Awards:
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Gramophone Magazine, Collection Recommendation
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Gramophone Magazine, December 2003, Editor's Choice
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Building a Library, October 2016, Recommended Version in English
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Throughout the SACD Lindberg proves (as if he needed to!) that he is a sympathetic and perceptive interpreter of the lute music of the Renaissance. This is an outstanding, treasure of an album.... —
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The Honour of William Byrd
Helen Charlston (mezzo-soprano), Ibrahim Aziz, Alison Kinder, Kate Conway, Sam Stadlen, Jennifer Bullock, Harry Buckoke, Chelys Consort of Viols
Whether or not these vocal works were meant to be sung by male singers is debateable, but Helen Charlston’s rich, deep timbre make such distinctions irrelevant. Supple, controlled and vibrato... —
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The sound is rich, intimate and mesmeric, with the ability to explore surprisingly intense and complex sonorities, considering the small forces at hand. —
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The Gents
The Gentlemen of the Chapel Royal Vocal Ensemble
Diapente Viol Consort, Niec van der Meulen, Robert Kuizenga, Siebe Henstra
The Gents, Peter Dijkstra
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The Image of Melancholy
Jon Balke (organ / soundscapes), Berit Norbakken Solset (soprano), Milos Valent (viola) & Bjarte Eike (artistic director & violin)
The results will appeal to anyone keen on folk and fusion or those looking for an alternative approach to early music. The lush, up-front recording, with its potential for 5.0 surround sound,... —
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The subtle hues of the choir, an elite corps from Winchester Cathedrals, are particularly impressive in Byrd's Lamentation, a piece in which voicing gives the music its momentum. Yet the beauty... —
