SACD, Bruch (composer)
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Mendelssohn & Bruch: Violin Concertos
Vaughan Williams: The Lark Ascending
Johan Dalene (soloist), Swedish Radio Symphony Orchestra, Swedish Radio Choir, Malin Broman, Gemma New, Kaspars Putniņš
Dalene has emerged as one of the most exciting young violinists of recent years, and this album of concerto standards is anything but ordinary. His Mendelssohn may be lightning-quick, but has... —
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New. Great Violin Concertos
David Oistrakh (violin), Sviatoslav Knushevitsky (cello), Lev Oborin (piano), Mstislav Rostropovich (cello), Igor Oistrakh (viola), Orchestre National de la Radiodiffusion Française, Philharmonia Orchestra, Cleveland Orchestra, Berliner Philharmoniker, Scottish National Orchestra, Stockholm Festival...
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Ning Feng plays Bruch & Tchaikovsky
Ning Feng (violin)
Deutsches Symphonie-Orchester Berlin, Yang Yang
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Vadim Gluzman plays Bruch
Vadim Gluzman (violin), with Sandis Šteinbergs (violin), Maxim Rysanov (viola), Ilze Klava (viola) & Reinis Birznieks (cello)
Bergen Philharmonic Orchestra, Andrew Litton
[Gluzman] presents a refreshingly straightforward performance that allows the music to speak for itself. The playing is indeed superb in every way, wonderfully lyrical in the soaring melodies... —
Awards:
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BBC Music Magazine, July 2011, Orchestral Choice
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Maxim Rysanov plays Schubert, Tchaikovsky & Bruch
RecommendedMaxim Rysanov (viola)
Swedish Chamber Orchestra, Muhai Tang
Rysanov makes the best possible case for hearing this version [of the Arpeggione], delivering a wonderfully poetic account of the solo part with subtle and sensitive accompaniment from the Swedish... —
Awards:
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Presto Recording of the Week, 29th August 2011
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The Essential Hebrew Violin
Anne Battegay, Alessandro Tardino, François Robin, Kurpfälzisches Kammerorchester, Marc-Olivier Oetterli
Awards:
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Opus Klassik Awards, 2023, Nominated - Young Talent
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Bruch: Scottish Fantasy & Violin Concerto No. 1
Guy Braunstein (violin)
Bamberger Symphoniker, Ion Marin
this version is special, but not by being spectacular, eccentric or glamorous. Its merits are instead based on gentle and honest musicianship...[Braunstein's] playing is characterised by its... —
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