Hi Res Download, Kodály (composer)
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Duo Sessions: Julia Fischer & Daniel Müller-Schott
Julia Fischer (violin) & Daniel Müller-Schott (cello)
There’s plenty to enjoy here —
Awards:
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BBC Music Magazine, November 2016, Chamber Choice
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International Classical Music Awards, 2017, Winner - Chamber Music
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Kodály: Duo for Violin and Violoncello, Op. 7 - Dvořák: Piano Trio, Op. 90 'Dumky'
RecommendedBarnabás Kelemen (violin), Nicolas Altstaedt (cello), Alexander Lonquich (piano)
While every phrase is carefully considered, each one is communicated with passion...Everywhere there is a wealth of fascinating detail…Some may find the players’ approach a little too intense,... —
Awards:
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Gramophone Magazine, Critics' Choice
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Presto Recordings of the Year, Finalist 2021
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International Classical Music Awards, 2022, Nominated - Chamber Music
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Müller-Schott ends this formidable unaccompanied recital with Pablo Casals’s Song of the Birds, played with the intense focus, the sense of line and the gleaming purity of tone that characterises... —
Awards:
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Gramophone Magazine, March 2020, Editor's Choice
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Opus Klassik Awards, 2020, Winner - Solo Instrumental Recital (Cello)
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The major discovery here is Hans Sitt's Op. 39 Albumblatter, six Schumannesque miniatures that Zimmermann nurtures and caresses with a bewitching range of tonal colours, further enhanced by... —
Awards:
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BBC Music Magazine, April 2015, Chamber Choice
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a secure recommendation for both works. —
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Treasures
Franziska Pietsch (violin / fiddle), Sophia Reuter (viola), Hila Karni (cello), Trio Lirico
This group – with their gorgeous tone, finely judged balances and quick reaction time – capture every shift in mood and colour with confidence and commitment. —
Awards:
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Gramophone Magazine, May 2024, Editor's Choice
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International Classical Music Awards, 2025, Nominated - Chamber Music
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Special offer. Hungarian Songs: Bartok, Kodaly & Ligeti
Katalin Károlyi (mezzo-soprano), Klára Würtz (piano)
Katalin Károlyi sings with ravishing tones, her bright mezzo often asked to navigate the soprano range. Her pitch is generally right on, so when a few surprise “off-color” notes do occur in... —
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There’s a variety of moods, too, from the fleetfootedness of the Dohnányi finale to the world-weary trudge of the Liszt, all very deftly handled by players who are clearly at ease in each other’s... —
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The Buffalo Philharmonic Orchestra makes the most of its solo opportunities and JoAnn Falletta keeps a firm grip on structure and rhythmic propulsion while allowing solo lines in the central... —
