Hi Res Download, Couperin, L (composer)
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We very quickly learn just how characterful Desandre can be with her amused, laughing reactions to women in battle in ‘Non posso far’, and the dark glitter of her voice in the melancholic ‘Lasciatemi... —
Awards:
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Gramophone Magazine, Critics' Choice 2021
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Gramophone Magazine, Awards Issue 2021, Editor's Choice
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Presto Editor's Choice, October 2021
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Presto Recordings of the Year, Finalist 2021
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Record Review, Records of the Year 2021
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Opus Klassik, 2022, Female Singer of the Year
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Gramophone Awards, 2022, Finalist - Voice & Ensemble
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Alessandrini has gathered some of them, and a few by other composers, into three suites, performing them on a rich-sounding harpsichord with the requisite Gallic liquid elegance. —
Awards:
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International Classical Music Awards, 2019, Nominee - Baroque Instrumental
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Louis Couperin: Suites for Harpsichord
Christophe Rousset (harpsichord Ioannes Couchet du Musée des Instruments)
Rousset is just the sort of player to take advantage with his precise yet silken touch and immense authority in the French harpsichord style, which sees contrapuntal lines delineated with clarity,... —
Awards:
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Diapason d’Or de l’Année, 2018, Winner - Musique baroque instrumentale
Purchase product
Downloads
Audio formats guide -
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Conceived as ‘an audio voyage’, this programme makes associations between diverse repertoire through timbre, texture, colour and ‘affect’...In the hands of a gifted virtuoso like Eller, one... —
Awards:
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BBC Music Magazine, November 2021, Instrumental Choice
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Special offer. Music from the Age of Louis XIV
John Kitchen (1755 double-manual harpsichord by Luigi Baillon)
Vividly alert to the widest range of styles and moods, Kitchen’s survey of music from the age of Louis XIV is a delight from start to finish. The 1755 Baillon instrument form the collection... —
Purchase product
CD
Original price (HK$205.67) Reduced price HK$133.68Downloads
Audio formats guide -
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Yates is equally delicate and decisive in the offerings by Chambonnières, and thus joins the likes of Terence Charlston, Davitt Moroney and Skip Sempé as respected interpreters of this repertoire...Authoritative... —
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Staier avoids the potential didactic pitfall that the concept might have laid for him. But the surprise comes in the form of music by Staier himself, a suite of six pieces (or ‘meditations’)... —
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