Hi Res Download, Bononcini, G B (composer)
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It's music by Luca Antonio Predieri (a nearcontemporary of Handel’s) that really hits the mark. Predieri’s gentle lyricism and clean lines suit Orliński’s soft-grained voice well. He’s no convincing... —
Awards:
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The Times Records of the Year, 2019
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Presto Recording of the Week, 20th December 2019
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International Opera Awards, 2020, Winner - Solo Recital Recording
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Opus Klassik Awards, 2020, Nominee - Male Singer of the Year
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Opus Klassik Awards, 2020, Nominee - Conductor of the Year
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Gramophone Awards, 2020, Finalist - Recital
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Stutzmann’s deep burgundy contralto, like a freakishly rich, wide-ranging countertenor, is the perfect fit for this repertoire...[Her] characterisation and vocal colouring are always true and... —
Awards:
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Gramophone Magazine, March 2021, Editor's Choice
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Presto Recordings of the Year, Finalist 2021
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International Classical Music Awards, 2022, Nominated - Baroque Vocal
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Nei Giardini d'Amore: Baroque Arias For Two Alti
RecommendedCarlo Vistoli, Hugh Cutting (countertenors), Les Arts Florissants, William Christie
Carlo Vistoli brings both pathos and rage to Medea's vehement outpourings...Equally compelling is Hugh Cutting's interpretation of Vivaldi's Cessate, omai cessate. His youthful countertenor... —
Awards:
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BBC Music Magazine, September 2025, Vocal Choice
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Presto Recordings of the Year, Finalist 2025
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The range and power of Ernman’s voice is a delight. Her dark, rich colouring adds drama to Handel’s ‘Twas when the seas’ and the final item by Eden Ahbez brings out her bluesy soul. Fun and... —
Awards:
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Presto Recording of the Week, 31st January 2025
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Sabata sings this complex programme with his customary elegance and flair. His dark, warm alto has always sounded good in slower arias, where the long lines flow with ease and his breath control... —
Awards:
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Presto Editor's Choice, December 2018
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Gramophone Magazine, April 2019, Editor's Choice
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International Classical Music Awards, 2019, Nominee - Baroque Vocal
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Aspromonte’s voluptuous, velvety soprano and vivid diction capture the emotional and rhetorical tensions of works that veer from grief to joy; my one caveat is that her colour palette and dynamic... —
Awards:
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Presto Editor's Choice, November 2021
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Gramophone Magazine, February 2022, Editor's Choice
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International Classical Music Awards, 2023, Nominated - Baroque Vocal
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Giovanni Battista Bononcini: Polifemo
Ensemble 1700, João Fernandes (bass), Helena Rasker (alto), Bruno de Sá (countertenor), Maria Ladurner (soprano), Roberta Invernizzi (soprano), Roberta Mameli (soprano), Liliya Gaysina (soprano), Dorothee Oberlinger
Bononcini knew his music theatre craft...Oberlinger is well served by a committed ensemble of singers, notably the Dutch contralto Helena Rasker who as Glauco has the kind of chest register... —
Awards:
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Record Review, 19th September 2020, Record of the Week
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Opus Klassik, 2021, Winner - World Premiere Recording
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Muera Cupido
Nuria Rial (soprano), Johanna Rose (viola da gamba), Fahmi Alqhai, Javier Núñez (harpsichord), Accademia del Piacere
Awards:
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Opus Klassik Awards, 2020, Nominee - Female Singer of the Year
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Opus Klassik Awards, 2020, Winner - Solo Vocal Recital (Opera)
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Crowe and Bevan recreate two prime donne through their own blazing talents. —
Awards:
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BBC Music Magazine, October 2019, Recording of the Month
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Gramophone Awards, 2020, Shortlisted - Recital
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From her gut-punch climactic notes to the buttery evenness of her register, Zaïcik’s command is exhilarating. I love especially how she applies vibrato...Stillness is the ensemble’s collective... —
Awards:
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BBC Music Magazine, April 2021, Opera Choice
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International Classical Music Awards, 2022, Nominated - Baroque Vocal
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