Hi Res Download, Bernstein (composer)
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Bernstein: Candide
RecommendedLeonardo Capalbo (Candide), Jane Archibald (Cunegonde), Anne Sofie von Otter (Old Lady), Thomas Allen (Dr Pangloss/Narrator)
London Symphony Orchestra & Chorus, Marin Alsop
In the title role, Leonardo Capalbo offers charm, delicacy and a touch of melancholy. Jane Archibald makes an amiable Cunegonde, though her showpiece ‘Glitter and be gay’ doesn’t sparkle enough.... —
Awards:
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Record Review, 9th October 2021, Record of the Week
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Presto Recording of the Week, 15th October 2021
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Presto Recordings of the Year, Finalist 2021
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International Classical Music Awards, 2022, Nominated - Opera
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American Polyphony
RecommendedDavid Allsopp (countertenor), Christopher Lowrey (countertenor) & Robert Millett (percussion)
Polyphony, Stephen Layton
This is the finest performance of Barber's Agnus Dei I've heard by any choir, live or on record…a wonderful recital, not to be missed. —
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Presto Recording of the Week, 6th July 2015
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BBC Music Magazine, August 2015, Disc of the month
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Presto Recordings of the Year, Finalist 2015
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It makes for an earcatching excursion celebrating the heady pluralism of American music...Together they forge a formidable partnership, technically fearless and equally at home in the different... —
Awards:
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Presto Recordings of the Year, Finalists 2024
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International Classical Music Awards, 2025, Nominated - Chamber Music
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Opus Klassik Awards, 2025, Chamber Music
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Bernstein: The 3 Symphonies - Casebound Deluxe
RecommendedOrchestra dell’Accademia Nazionale di Santa Cecilia, Sir Antonio Pappano
Rana glitters away at the piano as the observer of inner turmoil in Anxiety; Josephine Barstow makes an excellent first of Bernstein’s often embarrassing Kaddish narration…but the lynchpin remains... —
Awards:
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Gramophone Magazine, September 2018, Recording of the Month
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Presto Recording of the Week, 24th August 2018
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Presto Recordings of the Year, Finalist 2018
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The Times Records of the Year, 2018
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Gramophone Awards, 2019, Finalist - Orchestral
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International Classical Music Awards, 2019, Winner - Symphonic Music
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Quiet City
RecommendedAlison Balsom (trumpet), Tom Poster (piano), Nicholas Daniel (cor anglais), Britten Sinfonia, Scott Stroman
Revisiting the improvisatory practice of jazz icons with highly idiosyncratic techniques can fall flat, but Balsom and the Britten Sinfonia make it work. They are entirely idiomatic and wonderfully... —
Awards:
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Presto Recording of the Week, 26th August 2022
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The performances range from a touchingly direct version of Maria from West Side Story, to a distinctly mannered You’ll Never Walk Alone from Carousel, which Kaufmann delivers in an oddly halting... —
Awards:
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Opus Klassik Awards, 2024, Nominated - Film Music/Score of the Year
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Bernstein: Symphonies Nos. 1 & 2
Jennifer Johnson Cano (mezzo-soprano), Jean-Yves Thibaudet (piano)
Baltimore Symphony Orchestra, Marin Alsop
The performances are predictably excellent. In No. 1, the imposing first movement is presented with fervour, and the Copland-like central scherzo with lightness and precision; Jennifer Johnson... —
Awards:
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Record Review, 14th January 2017, Recording of the Week
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Opus Klassik Awards, 2018, Winner - Symphonic Recording (20th/21st-century music)
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Eve finds her voice as Prohaska and Drake navigate Eden’s bright spots and murkier corners. A heady selection of songs to intoxicate the senses; vivid storytelling and musicality. —
Awards:
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Presto Editor's Choice, April 2020
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Gramophone Awards, 2021, Shortlisted - Song
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Bernstein: Symphony No. 2 'The Age of Anxiety'
RecommendedKrystian Zimerman (piano)
Berliner Philharmoniker, Sir Simon Rattle
[Zimerman’s] is a very wise, very seasoned, poetic take on it and from his very first solo is possessed of a thoughtful ‘inwardness’. He finds the heartache and disillusionment between the notes... —
Awards:
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Presto Recording of the Week, 24th August 2018
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Presto Recordings of the Year, Finalist 2018
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Special offer. John Williams: Violin Concerto No. 1 & Bernstein: Serenade
RecommendedJames Ehnes (violin), Saint Louis Symphony, Stéphane Denève
I’ve always admired the modesty and truthfulness of James Ehnes as a player – and you can hear that modesty at work in Phaedrus’s opening address from the Bernstein Serenade. There’s an unfussy... —
Awards:
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Presto Recordings of the Year, Finalists 2024
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