Download, India (composer)
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Many vocal skills we now admire in opera were born in the early 17th century. These performances centre upon the techniques of the early solo singer-composers, wonderfully resurrected here by... —
Awards:
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Diapason d’Or de l’Année, 2021
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Diapason d’Or de l’Année, 2021, Baroque vocal
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Sunday Times, 10 Best Classical Albums of 2021
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Songs of Orpheus
RecommendedMonteverdi, Caccini, Merula, Brunelli, Castello, Cima, Landi
Karim Sulayman (tenor)
Apollo's Fire, Jeannette Sorrell
Sulayman’s approach tends more towards the lyrical than the rhetorical – his lucid, velvety tenor and pop-star charisma best suited to melodious arias rather than the text-driven stile recitativo…Under... —
Awards:
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Grammy Awards, 61st Awards (2018), Winner - Classical Solo Vocal Album
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Speech-like song tumbles out of tenor Alessandro Giangrande like coins from a sack; it’s glorious. But my favourite voice on the album is that of Zachary Wilder. —
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Orgues de Sicile (Organs of the World, Vol. 1)
Arnaud De Pasquale, Camille Frachet, François Guerrier, Jérôme Van Waerbeke, Perrine Devillers, Sarah Dubus
Awards:
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Diapason d'Or, September 2021, Nouveauté
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Songs for Courtiers and Cavaliers
Helen Watts (contralto), Thurston Dart (harpsichord)
Philomusica of London
An intriguing record of the roots of historically-informed performance, Helen Watts and Desmond Dupré give passionate but (by today’s standards) heavy-handed accounts. —
Awards:
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Diapason d’Or, November 2019, Collectionneur
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It seems to me that they have taken time to properly hit their stride, but here they rediscover the heights scaled with Claudio Cavina at the helm. These are near-flawless readings, effortlessly... —
Awards:
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Gramophone Magazine, January 2020, Editor's Choice
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[Mameli] provides an object lesson in how vocal precision need not inhibit passionate commitment. Her clarity and response to the texts is exceptional: the first phrase of Caccini’s Dolcissimo... —
Awards:
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Diapason d’Or, December 2017, Nouveauté
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La bella piu bella
Songs from early baroque Italy
Roberta Invernizzi (soprano) & Craig Marchitelli (archlute & theorbo)
This is vocal writing that thrives on extremes: complex, emphatic, dissonant and brilliantly embellished...Invernizzi is a fearless singer. Some notes are stripped violently dry and thin, others... —
Awards:
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Gramophone Magazine, June 2014, Editor's Choice
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Cappella Mediterranea sing and play with assertive Mediterranean heat...The emotional tension is incredible...If your blood doesn’t race during the opener by the madrigal master Monteverdi,... —
Awards:
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Building a Library, November 2016, First Choice
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