Download, Froberger (composer)
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Pienaar displays his collections thematically, connecting dances and variations, imitative and evocative works that suggest battles and birdsong, that paint portraits, tell stories and write... —
Awards:
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BBC Music Magazine, April 2020, Instrumental Choice
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Gramophone Magazine, June 2020, Editor's Choice
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An entire, complex and sympathetic personality is on show, whose assimilation of different musical influences is constantly evident. Rowland is a fluent guide, discreet though not entirely self-effacing. —
Awards:
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Gramophone Magazine, September 2025, Editor's Choice
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Andreas Staier: Pour passer la mélancolie
RecommendedAndreas Staier (anon. French harpsichord, late 17th century, Joseph Collesse, 1749, restored by Laurent Soumagnac 2000-4)
a satisfying issue on a fine-sounding and sympathetically recorded mid-18th-century harpsichord. —
Awards:
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Gramophone Awards, 2013, Winner - Baroque Instrumental
Purchase product
Downloads
Audio formats guide -
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Seventy minutes with Death for company may look like hard going but such is the expressive depth and profound consoling beauty of the works assembled here, and so committed and responsive the... —
Awards:
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Gramophone Magazine, Awards Issue 2020, Editor's Choice
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Gramophone Magazine, Critics' Choice 2020
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Playing a copy of an anonymous 1679 harpsichord, Acabo responds sensitively to the styles and demands of each piece. The dance numbers (including several by Chambonnières's English admirers)... —
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Staier avoids the potential didactic pitfall that the concept might have laid for him. But the surprise comes in the form of music by Staier himself, a suite of six pieces (or ‘meditations’)... —
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Special offer. Ioannes Cuisean: Missa Solennis
Markus Märkl, Raitis Grigalis (soloist), Josquin Capella, Philipp Cieslewicz, Vojtěch Semerád, Hans Wijers, Meinolf Brüser
Purchase product
CD
Original price (HK$148.28) Reduced price HK$111.21Downloads
Audio formats guide -
These are fine performances and consistent ones. Moulin is a subtle and thoughtful interpreter, especially in the more serious works. He is precise but not wooden, and the passagework is crisp... —