Download, Boulez (composer)
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The title 'Caprices' belies the serious rapport which Arditti nurtured over decades with Carter, Nunes, Boulez and Sciarrino…The works, too, are hardly whimsical but represent a quarter-century... —
Awards:
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The Times Records of the Year, 2017
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Fray's debut is marked by an imaginative collation, Bach and Boulez, played with vibrant imagination. He pushes the boundaries but resists the merely quirky. Impeccable technique allows him... —
Awards:
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BBC Music Magazine Awards, 2008, Newcomer of the Year
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The Diotimas spent considerable time with Boulez to understand his thinking, and it shows: the sparse passages in the opening movements breathe unencumbered, the shivering development is scattered... —
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Drawing on the insights shared by Boulez when she studied with him, she unleashes a spectacular, commanding performance that sets the keyboard, and the air around it, aquiver with its intensity.... —
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Pierre Boulez: Le Marteau Sans Maître - Karlheinz Stockhausen: Nr. 5 Zeitmasse
RecommendedArthur Gleghorn, Donald Muggeridge, Donald Leake, Donald Christlieb, William Ulyate, Milton Thomas, William Kraft, Dorothy Remsen, Theodore Norman, Walt Goodwin, Margery MacKay
Robert Craft
Awards:
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Building a Library, February 2018, Also Recommended
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Boulez: Répons & Dialogue de L'Ombre Double
RecommendedAlain Damiens (clarinet)
Ensemble InterContemporain, Pierre Boulez
Awards:
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Grammy Awards, 42nd Awards (1999), Best Contemporary Classical Composition
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The New Music, Vol. II
Severino Gazzelloni (flute), Frederic Rzewski (piano), Lothar Faber (oboe), Members of The Rome Symphony Orchestra
Bruno Maderna
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Maurizio Pollini plays Prokofiev, Boulez, Webern and Stravinsky
RecommendedMaurizio Pollini (piano)
Perfection needs to be pursued so that you can forget about it. Pollini's Petrushka movements are almost inhumanly accurate and fast; but what comes across is an exhilarating sense of abandon,... —
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Presto Greatest Recordings of the 1970s
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Boulez: Le marteau sans maître, Éclat & Dialogue de l'ombre double
RecommendedKatalin Károlyi (mezzo), Pascal Gallois (bassoon)
International Contemporary Ensemble
Here is an American ensemble who show that nothing is impossible…one understands at last what the young Boulez heard in his head. Katalin Karolyi adds both expression and ferocity to the mix. —
Awards:
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Building a Library, February 2018, Also Recommended
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