Download, Strauss, R (composer)
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A Golden Cello Decade, 1878-1888
RecommendedSteven Isserlis (cello), Connie Shih (piano), Olivia Jageurs (harp)
No cellist alive can match the eloquent intent of Steven Isserlis’s line. Every phrase he threads through the warm embrace of Connie Shih’s pianism is articulated and ‘breathed’ with the ardour... —
Awards:
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Presto Recording of the Week, 4th November 2022
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Gramophone Magazine, December 2022, Editor's Choice
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Gramophone Awards, 2023 Finalists, Shortlisted - Chamber
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Special offer. Strauss: Eine Alpensinfonie (Alpine Symphony)
Rundfunk-Sinfonieorchester Berlin, Vladimir Jurowski
Did Jurowski need to record the work again after his spectacular London Philharmonic Orchestra two-disc set?...The production here gives one good reason; the other is the pacing, never rushed... —
Awards:
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Record Review, 14th August 2021, Record Review
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Gramophone Magazine, Awards Issue 2021, Editor's Choice
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International Classical Music Awards, 2022, Nominated - Symphonic Music
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Opus Klassik, 2022, Conductor of the Year
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New. Richard Strauss: Elektra
RecommendedIréne Theorin (Elektra), Jennifer Holloway (Chrysothemis), Tanja Ariane Baumgartner (Klytemnestra), Nikolai Schukoff (Aegisth), Iain Paterson (Orest), Bergen Philharmonic Orchestra and Choirs, Edward Gardner
As in Salome, the Bergen Philharmonic Orchestra play wonderfully for Edward Gardner, who - again as in Salome - conducts the opera in one, long paragraph. The tension hardly lets up, even in... —
Awards:
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Presto Recording of the Week, 27th February 2026
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Clair-Obscur
RecommendedStrauss - Berg - Zemlinsky
Sandrine Piau (soprano), Orchestre Victor Hugo Franche-Comté, Jean-François Verdier
Shunning the velvety voluptuousness of a Jessye Norman or the wide-eyed textual probing of a Schwarzkopf, she brings a freshness of perspective that encourages the reconsideration of cherished... —
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Presto Recording of the Week, 19th March 2021
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Gramophone Magazine, May 2021, Editor's Choice
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Gramophone Awards, 2021, Shortlisted - Voice & Ensemble
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Presto Recordings of the Year, Finalist 2021
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International Classical Music Awards, 2022, Nominated - Vocal
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Strauss: Die Frau ohne Schatten
Stephen Gould (Der Kaiser), Camilla Nylund (Die Kaiserin), Wolfgang Koch (Barak, der Farber), Nina Stemme (Die Farberin), Evelyn Herlitzius (Die Amme), Sebastian Holecek (Geisterbote)
Wiener Staatsoper, Christian Thielemann
Stemme is focussed and expressive, and if Koch sometimes seems underpowered, that is only through comparison to her. Herlitzius is similarly impressive, and she and Stemme are sufficiently distinct... —
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Gramophone Magazine, August 2020, Editor's Choice
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Gramophone Magazine, Critics' Choice 2020
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Gramophone Awards, 2021, Shortlisted - Opera
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Davidsen’s soprano sounds fresh, gleaming and direct, her top-most notes silvery. She knows how to ensure nothing gets overblown – and how to get so close to the edge that the effect is thrilling,... —
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Devieilhe decorates Strauss’s ‘Amor’ with diamond bright coloratura and spins a seamless legato throughout. Yet this is preeminently a partnership between pianist and singer. —
Awards:
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Presto Recording of the Week, 29th March 2024
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Opus Klassik Awards, 2024, Nominated - Female Singer of the Year
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Opus Klassik Awards, 2024, Nominated - Solo Vocal Recording of the Year
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Gramophone Awards, 2024 Shortlist, Shortlisted - Song
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International Classical Music Awards, 2025, Nominated - Vocal Music
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Special offer. Richard Strauss: Salome
Malin Byström (Salome), Johan Reuter (Jochanaan), Katarina Dalayman (Herodias), Gerhard Siegel (Herodes), Bror Magnus Tødenes (Narraboth), Hanna Hipp (Herodias's Page)
Bergen Philharmonic Orchestra, Edward Gardner
Strauss’s score remains one of the most astounding of all time, operatic and otherwise, and it’s a high achievement indeed that the Bergen Philharmonic’s playing under Edward Gardner, stunningly... —
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Gramophone Magazine, June 2025, Recording of the Month
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International Opera Awards, 2025, Shortlisted - Complete Recording
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International Classical Music Awards, 2026, Nominated - Opera
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Special offer. Soirée
RecommendedMagdalena Kožená (mezzo), Sir Simon Rattle (piano), Rahel Rilling (violin), Wolfram Brandl (violin), Yulia Deyneka (viola), David Adorjan (cello), Andrew Marriner (clarinet)
There is some lovely singing from Kožená, whose fawn-tinted mezzo retains its attractive quality from her earliest discs…She sings the two Brahms collections well, especially the Ophelia Songs,... —
Awards:
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Presto Recording of the Week, 13th September 2019
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International Classical Music Awards, 2019, Nominee - Assorted Program
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Hewitt’s spacious, uncluttered approach revels unashamedly in the pianism while still letting the original songs sing. The real treats are Hewitt’s own arrangements...In all, this beautifully... —
Awards:
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Presto Editor's Choice, July 2021
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BBC Music Magazine, September 2021, Instrumental Choice
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