SACD, Linn (label)
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Phantasm here offers the same flawless playing that has earned its members consistent, well-deserved accolades. Despite the brooding nature of the music, their sound is luminous and tempos are... —
Awards:
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Gramophone Magazine, August 2016, Editor's Choice
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Gramophone Awards, 2017, Winner - Early Music
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Building a Library, October 2017, First Choice
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Diapason d’Or de l’Année, 2017, Winner - Musique Ancienne
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True, she sails perilously close to over-sentimentalising the opening Romanza...but Fliter plays with grace and heartfelt sincerity - abetted by some lovely duetting with the SCO's bassoonist... —
Awards:
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Gramophone Magazine, March 2014, Editor's Choice
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Gramophone Awards, 2014, Shortlisted - Concerto
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Presto Recordings of the Year, Finalist 2014
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JS Bach: Magnificat & Christmas Cantata 63
Reconstruction of Bach's first Christmas Vespers in Leipzig
Julia Doyle (soprano), Joanne Lunn (soprano), Clare Wilkinson (alto), Nicholas Mulroy (tenor), Matthew Brook (bass)
Dunedin Consort, John Butt
It’s an absolute joy – far too good to keep for Christmas. —
Awards:
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BBC Music Magazine, Choral & Song Choice
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Gramophone Magazine, December 2015, Editor's Choice
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Gramophone Awards, 2016, Finalist - Baroque Vocal
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by skilfully modulating their tone between the smooth and the raucous, the two clarinettists here contrive to minimise the absence of oboe timbre in what proves a lively and nicely nuanced reading...these... —
Awards:
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Gramophone Magazine, February 2015, Editor's Choice
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Berlioz: L'Enfance du Christ, Op. 25
RecommendedVéronique Gens (Marie), Alastair Miles (Herod/Ishmaelite Father), Yann Beuron (Narrator), Stephan Loges (Joseph)
Swedish Radio Symphony Orchestra & Chorus, Robin Ticciati
Beuron, still probably France's finest lyric tenor, a compelling Recitant with open, ardent tones and warm delivery...Miles is a splendidly anguished but restrained Herod and benign Ishmaelite,... —
Awards:
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Presto Recording of the Week, 2nd December 2013
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Trevor Pinnock knows a thing or two about Mozart and imparts to his youthful charges from the Royal Academy of Music all his enthusiasm for the Salzburger’s greatest serenade. There’s no other... —
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Harp recitals are almost bound to be appealing, such is the instrument’s seductiveness, but this one has substance, too. —
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It's an illuminating, flawlessly performed survey of two halves: the first, rich with the vibrant freshness of his early process work, and the second no less driven or clear, but arguably less... —
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Gilchrist is an impressively rounded advocate. His enunciation is superb, his melodic phrasing is always wonderfully musical; he can be seductive, but at times there's an eloquent astringency... —
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Ned Rorem - On an echoing road
Duets, Trios and Quartets from Evidence of things not seen interspersed with songs
Anna Leese (soprano), Jennifer Johnston (mezzo), Andrew Staples (tenor), Jacques Imbrailo (baritone), Tim Mead (countertenor) & Alisdair Hogarth (piano / director)
Prince Consort
All five singers have clearly grasped the importance of Rorem's text-based conception of song, 'poetry as expressed through the voice' and they sing - albeit in resolutely English English which... —
Awards:
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Gramophone Magazine, February 2010, Editor's Choice
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