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New. Richard Strauss: Elektra

Iréne Theorin (Elektra), Jennifer Holloway (Chrysothemis), Tanja Ariane Baumgartner (Klytemnestra), Nikolai Schukoff (Aegisth), Iain Paterson (Orest), Bergen Philharmonic Orchestra and Choirs, Edward Gardner

Richard Strauss: Elektra

Awards:

As in Salome, the Bergen Philharmonic Orchestra play wonderfully for Edward Gardner, who - again as in Salome - conducts the opera in one, long paragraph. The tension hardly lets up, even in...

New. Richard Strauss: Elektra

Iréne Theorin (Elektra), Jennifer Holloway (Chrysothemis), Tanja Ariane Baumgartner (Klytemnestra), Nikolai Schukoff (Aegisth), Iain Paterson (Orest), Bergen Philharmonic Orchestra and Choirs, Edward Gardner

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2 SACDs

Hybrid Stereo

HK$308.51

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Audio formats guide

96 kHz, 24 bit, FLAC/ALAC/WAV

Original price (HK$301.78) Reduced price HK$211.25

44.1 kHz, 16 bit, FLAC/ALAC/WAV

Original price (HK$222.82) Reduced price HK$155.97

320 kbps, MP3

Original price (HK$172.45) Reduced price HK$120.71

This release includes a digital booklet

Stream now Hi-RES 96 kHz, 24 bit

Awards:

As in Salome, the Bergen Philharmonic Orchestra play wonderfully for Edward Gardner, who - again as in Salome - conducts the opera in one, long paragraph. The tension hardly lets up, even in...

About

First performed in Dresden in 1909, Elektra was Strauss’s first collaboration (of many) with the librettist Hugo von Hofmannsthal, and is the most modernist of all of his operas. Based on the (heavily reworked) play by Sophocles, Hofmannsthal’s version concentrates on the inner thoughts and feelings of Elektra as she holds individual conversations with other members of her family. Strauss’s score is exceptionally adventurous harmonically, and famously features the Elektra Chord (a simultaneous combination of E major and C sharp major). The orchestration is exceptionally lavish – even by Strauss’s standards – featuring eight horns, six trumpets, double timpani and two harps. The performance was recorded live in Bergen in December 2023, Edward Gardner conducting a cast lead by the great Swedish dramatic soprano Iréne Theorin, one of the finest Elektras of our time. Recorded in Surround Sound and released on Hybrid SACD.

Contents and tracklist

Wo bleibt Elektra? (First, Second, Third, Fourth, Fifth Maid Servant, The Overseer)
Track length6:20
Allein! Weh, ganz allein (Elektra)
Track length9:16
Elektra! (Chrysothemis, Elektra)
Track length2:30
Ich kann nicht sitzen und ins Dunkel starren (Chrysothemis, Elektra)
Track length6:15
Es geht ein Lärm los (Elektra, Chrysothemis)
Track length2:52
Was willst du? Seht doch, dort! (Klytemnestra)
Track length4:42
Ich will Nichts hören! (Klytemnestra)
Track length4:49
Ich habe keine guten Nächte (Klytemnestra, Elektra)
Track length6:01
Wenn das rechte Blutopfer unter'm Beile fällt (Klytemnestra, Elektra)
Track length4:56
Was bluten muß? (Elektra, Klytemnestra)
Track length4:10
Orest! Orest - ist tot! (Chrysothemis, Elektra)
Track length3:21
Platz da! Wer lungert so vor einer Tür? (Young Servant, Old Servant)
Track length0:56
Nun muß es hier von uns geschehn (Elektra, Chrysothemis)
Track length2:06
Wie stark du bist (Elektra, Chrysothemis)
Track length4:51
Nun denn, allein (Elektra)
Track length1:17
Was willst du, fremder Mensch? (Elektra, Orestes)
Track length6:49
Wer bist denn du? (Orestes, Elektra)
Track length2:25
Orest! (Elektra)
Track length8:45
Was schaust du ängstlich um dich? (Elektra, Orestes, The Tutor of Orestes)
Track length3:42
Ich habe ihm das Beil nicht geben können! (Elektra, Klytemnestra)
Track length1:38
Es muß etwas geschehen sein (Chrysothemis, First, Second, Third, Fourth Maid Servants)
Track length1:06
He, Lichter! Lichter! (Aegisthus, Elektra)
Track length4:19
Helft! Mörder! (Aegisthus, Elektra)
Track length1:05
Elektra! Schwester! (Chrysothemis, Chorus, Elektra)
Track length3:27
Wir sind bei den Göttern, wir Vollbringenden (Elektra, Chrysothemis)
Track length3:44
Schweig, und tanze! (Elektra, Chrysothemis)
Track length2:19

Spotlight on this release

Awards and reviews

  • Presto Recording of the Week
    27th February 2026

April 2026

As in Salome, the Bergen Philharmonic Orchestra play wonderfully for Edward Gardner, who - again as in Salome - conducts the opera in one, long paragraph. The tension hardly lets up, even in the more lyrical parts of the score.

27th February 2026

The great glory of this new account is the white-hot orchestral playing, captured superbly by the engineers: this is an opera of extremes in every sense, and no detail at either end of the tonal or dynamic spectrum is distorted or blurred. Gardner’s supreme virtue is his ability to balance the opera's savagery and sensuality.
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