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New. Rachmaninoff: Piano Works

Boris Giltburg (piano)

Rachmaninoff: Piano Works

Awards:

What we get here, for the most part, is slightly introverted playing that gives preference to the lyrical over the rhythmic, the gracious over the rambunctious, the tender over the inflamed...Tonal...

New. Rachmaninoff: Piano Works

Boris Giltburg (piano)

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This release includes a digital booklet

Stream now Hi-RES 192 kHz, 24 bit

Awards:

What we get here, for the most part, is slightly introverted playing that gives preference to the lyrical over the rhythmic, the gracious over the rambunctious, the tender over the inflamed...Tonal...

About

Composed at the age of 19, Rachmaninov’s earliest published cycle of piano pieces, the Morceaux de Fantaisie, contains the Prélude in C sharp minor, destined to become his signature work, and the Mélodie in E major, much loved by Tchaikovsky. The expressive Morceaux de Salon show Tchaikovsky’s influence and some of the grief felt by Rachmaninov after his mentor’s death. With the inclusion of the melodically rich Nocturnes and the Four Pieces, the earliest to survive in his hand, this collection shows both the young composer finding his voice and the timeless Rachmaninov we recognise today.

Contents and tracklist

No. 1, Elégie
Track length5:24
No. 2, Prélude
Track length4:06
No. 3, Mélodie (1)
Track length4:18
No. 4, Polichinelle
Track length3:43
No. 5, Sérénade
Track length3:29
No. 1, Andante cantabile
Track length4:34
No. 2, Andante maestoso - Allegro assai
Track length3:10
No. 3, Andante
Track length4:16
No. 1, Romance
Track length2:37
No. 2, Prélude
Track length2:56
No. 3, Mélodie
Track length3:52
No. 4, Gavotte
Track length3:57
No. 1, Nocturne
Track length5:07
No. 2, Valse
Track length3:47
No. 3, Barcarolle
Track length4:20
No. 4, Mélodie
Track length4:06
No. 5, Humoresque
Track length3:54
No. 6, Romance
Track length4:01
No. 7, Mazurka
Track length5:54

Awards and reviews

  • Gramophone Magazine
    March 2026
    Editor's Choice

March 2026

What we get here, for the most part, is slightly introverted playing that gives preference to the lyrical over the rhythmic, the gracious over the rambunctious, the tender over the inflamed...Tonal quality is unimpeachable and at no point does he allow Rachmaninov's emotionality to overflow.
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